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・ François Giguère
・ François Gillet
・ François Gilson
・ François Girard
・ François Girard (sailor)
・ François Girardon
・ François Giroust
・ François Giuliani
・ François Godement
・ François Goeske
・ François Goetghebeur
・ François Delibes
・ François Delloye
・ François Delmas
・ François Delpla
François Delsarte
・ François Deluga
・ François Delzenne
・ François Demol
・ François Denhaut
・ François Denis Tronchet
・ François Denys Légitime
・ François Derand
・ François Desjardins
・ François Desjordy Moreau de Cabanac
・ François Deslaugiers
・ François Desrochers
・ François Dessertenne
・ François Devienne
・ François Devosge


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François Delsarte : ウィキペディア英語版
François Delsarte

François Alexandre Nicolas Chéri Delsarte (19 November 1811 – 20 July 1871) was a French musician and teacher. Though he achieved some success as a composer, he is chiefly known as a teacher in singing and declamation. He went on to develop an acting style that attempted to connect the inner emotional experience of the actor with a systematized set of gestures and movements based upon his own observations of human interaction. This “Delsarte” method became so popular that it was taught throughout the world, but particularly in America, by many teachers who did not fully understand or communicate the emotional connections behind the gestures, and as a result the method devolved into melodramatic posing, the kind in response to which Constantin Stanislavski would later develop his inner psychological methods.
==Applied aesthetics==
Delsarte was born in Solesmes, Nord. He was a pupil of the Paris Conservatory, was for a time tenor singer in the Opéra Comique, and composed a few songs. Having studied singing at the Paris Conservatory, he became unsatisfied with the arbitrary and posed style of acting taught there. He began to study how humans actually moved, behaved and responded to various emotional and real life situations. He achieved this by observing people in real life and in public places of all kinds. Through his observations he discovered certain patterns of expression, eventually called the Science of Applied Aesthetics. This consisted of a thorough examination of voice, breath, movement dynamics, encompassing all of the expressive elements of the human body.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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